[vc_row][vc_column][vc_column_text]<\/p>\n
The works<\/span>\u00a0not<\/span>\u00a0belonging<\/span> <\/span>to private collections<\/span> <\/span>are exhibited<\/span> <\/span>in the following Museums<\/span>:<\/span><\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_single_image image=”2525″ img_size=”medium” alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”http:\/\/en.museodiromaintrastevere.it\/”][\/vc_column][vc_column width=”3\/4″][vc_column_text]<\/p>\n MUSEUM OF ROME\u00a0IN TRASTEVERE<\/strong> (Piazza di S.Egidio\u00a01\/b – Rome)<\/em><\/p>\n 119 Watercolors of “Vanished Rome”<\/a>\u00a0collection owned by the City of Rome. Initially they were 120, but 1 watercolor was stolen in 1966 in Cologne (Germany) during an exhibition. In “Vanished Rome” section you can find more info about this matter.<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_single_image image=”2527″ img_size=”medium” alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”http:\/\/en.museodiroma.it\/”][\/vc_column][vc_column width=”3\/4″][vc_column_text]MUSEUM OF ROME\u00a0<\/strong>(Palazzo Braschi, Piazza Navona 2\u00a0– Rome)<\/em><\/p>\n 4\u00a0Watercolors owned by the Municipality of Rome\u00a0titled:\u00a0“Cove of the coast with characters”<\/em><\/a> (24.4×35 cm),“Ancient gate of Frascati”<\/em><\/a> (18.6×8.3 cm) 1878, – MR 6340,\u00a0Torre medievale trasformata in casale<\/a>\u00a0<\/em>(28,1×20,4 cm) 1892 – GS 2019\u00a0e\u00a0Rive del Tevere all’altezza di Campo Marzio<\/a>\u00a0<\/em>(28,1×20,4 cm) 1892 \u00a0– GS 2036.<\/p>\n They\u00a0are also visible in Other watercolors<\/a> section of\u00a0this site.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″ css=”.vc_custom_1456072399952{padding-top: 15px !important;}”][vc_single_image image=”2524″ img_size=”medium” alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”http:\/\/www.risorgimento.it\/index.php?language=ENG”][\/vc_column][vc_column width=”3\/4″][vc_column_text]<\/p>\n CENTRAL MUSEUM\u00a0OF RISORGIMENTO<\/strong> (Complesso del Vittoriano, P.za Venezia – Rome)<\/em><\/p>\n 1 Watercolor (63.5×92.5) depicting King Victor Emmanuel II of Italy in his first visit to Rome on 31 December 1870, while the city was flooded by the Tiber. The\u00a0watercolor is visible by clicking here<\/a>.<\/p>\n It depicts the passage of the King Victor Emmanuel II in the carriage as he\u00a0crosses via del Corso towards piazza del Popolo,\u00a0around\u00a0piazza San Lorenzo in Lucina, completely flooded\u00a0(note the boat on the right).\u00a0It was the 1st official visit to Rome by the King, 100 days after the seizure\u00a0of Porta Pia.<\/p>\n This watercolor, however, was\u00a0executed by Ettore Roesler Franz only 13 years later,\u00a0in\u00a01883, as last preparatory sketch for a painting no longer completed. Ettore\u00a0was a witness of the scene portrayed, because on\u00a023 December 1870 he was appointed second lieutenant of the National Guard and was\u00a0present at the passage of the King in the carriage.<\/p>\n It’s a\u00a0of particularly important picture for the whole work of “Vanished Rome” because it was on that occasion that the\u00a0King decided the construction of embankments on the Tiber River to prevent further flooding in the capital and,\u00a0shortly\u00a0after, works of demolition along the banks of the river started.<\/p>\n Here you will find<\/a> the detailed story of that historical period.<\/p>\n This watercolor was exhibited in Turin in 1884 at the Esposizione Generale Italiana, the history section of the Italian Risorgimento, and then in\u00a0Rome in 1932 at the Istituto di Studi Romani “View of Rome in the nineteenth century”<\/em>\u00a0and, most recently, in the exhibition at the Museo di Roma in Trastevere in 2007, for the 1st Centenary\u00a0of\u00a0Ettore Roesler Franz’s death.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″ css=”.vc_custom_1785330195278{padding-top: 15px !important;}” offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_single_image image=”2800″ img_size=”medium” alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”http:\/\/courtauld.ac.uk\/”][\/vc_column][vc_column width=”3\/4″ offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_column_text]<\/p>\n THE COURTAULD INSTITUTE OF ART<\/strong>\u00a0<\/b>(Somerset House, Strand, London WC2R 1LA)<\/em><\/p>\n 1 Watercolor named “Torre della Scimmia” con palazzo Scapucci<\/em>\u00a0(54×36 cm), 1893.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″ css=”.vc_custom_1456076227239{padding-top: 15px !important;}”][vc_single_image image=”2526″ img_size=”medium” alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”https:\/\/www.southampton.gov.uk\/libraries-museums\/art-gallery\/”][\/vc_column][vc_column width=”3\/4″][vc_column_text]SOUTHAMPTON CITY ART GALLERY<\/strong>\u00a0<\/strong>(Civic Centre, Commercial Rd, Southampton SO14 7LY, UK)<\/em><\/p>\n 2\u00a0Watercolors\u00a0entitled\u00a0“Riverside in Rome<\/a><\/em>“<\/em> (54.3 x 75.7 cm) and “In the<\/em>\u00a0<\/em>Garden, Villa d’Este<\/em><\/a>” (44.5 x 77.5 cm), 1893. The works have been donated in 1943 by the nieces of Canon Bliss\u00a0in his memory.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″ css=”.vc_custom_1456076227239{padding-top: 15px !important;}”][vc_single_image image=”4852″ img_size=”medium” alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”http:\/\/artuk.org\/discover\/artworks\/venetian-scene-11720″][\/vc_column][vc_column width=”3\/4″][vc_column_text]<\/p>\n RUSSELL-COTES ART GALLERY & MUSEUM EAST, BOURNEMOUTH\u00a0<\/strong>(East, W Cliff Promenade, Bournemouth BH1 3AA, Regno Unito)<\/em><\/p>\n 1 Watercolor named \u201cA street market in Italy<\/a>\u201c,<\/em> (<\/span>54,5\u00d738 cm). <\/span>It was given as a bequest in 1995 by Miss Lilian Doris Heading.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″ css=”.vc_custom_1456076227239{padding-top: 15px !important;}”][vc_single_image image=”1695″ img_size=”medium” alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”http:\/\/artuk.org\/discover\/artworks\/venetian-scene-11720″][\/vc_column][vc_column width=”3\/4″][vc_column_text]<\/p>\n COLCHESTER\u00a0& IPSWICH MUSEUM <\/b>(High Street,\u00a0Ipswich,\u00a0IP1 3QH)<\/em><\/p>\n 1 Oil\u00a0named\u00a0“Venetian Scene”<\/a><\/em>\u00a0(40×29\u00a0cm), 1888.<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″ css=”.vc_custom_1456076227239{padding-top: 15px !important;}”][vc_single_image image=”2523″ img_size=”medium” alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”http:\/\/www.mfa.org\/collections\/object\/cypresses-of-the-villa-deste-tivoli-182190″][\/vc_column][vc_column width=”3\/4″][vc_column_text]MUSEUM OF FINE ARTS,\u00a0BOSTON\u00a0<\/strong>(Avenue of the Arts – 465 Huntington Avenue – 02115 Boston, Massachusetts,\u00a0USA)<\/em><\/p>\n 1 Watercolor named\u00a0“Cypresses of Villa d’Este, Tivoli”<\/a>.\u00a0 <\/em>It has been purchased from an exhibition of English watercolors in January, 1886.<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″ css=”.vc_custom_1456076227239{padding-top: 15px !important;}”][vc_single_image image=”2520″ img_size=”medium” alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”http:\/\/www.artgallery.nsw.gov.au\/collection\/works\/6146\/”][\/vc_column][vc_column width=”3\/4″][vc_column_text]ART GALLERY OF NEW SOUTH WEST\u00a0<\/strong>(Art Gallery Rd, The Domain 2000, Sydney, Australia)<\/em><\/p>\n 1 Watercolor titled\u00a0“Begins the day by flattery<\/a>”\u00a0(<\/em>73.4×31.7 cm, signed on the\u00a0left).<\/p>\n In the minutes of the Trust meeting, 21 July 1899, it is reported that the watercolour was offered for sale by a Mrs S A Joseph, Sydney, among 18 watercolours, 2 oil paintings and 2 etchings, ‘hung in Board Room’ for viewing. “After inspection and deliberation, it was resolved to purchased three pictures”: the Ettore Roesler Franz watercolour was purchased for \u00a330 along with ‘A glimpse of the Clyde’ by Alfred East, acc no 4551 and ‘In peril’ by Charles Cattermole, acc no 1079, for an overall total of \u00a3112 (all three works are still in the collection).[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1456076589356{padding-top: 20px !important;}”][vc_column][vc_column_text]<\/p>\n There is also a watercolour exposed in a public office:[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1457738257672{padding-top: 15px !important;}”][vc_column width=”1\/4″ css=”.vc_custom_1456072413123{padding-top: 15px !important;}”][vc_single_image image=”2521″ img_size=”medium” alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”http:\/\/www.comune.tivoli.rm.it\/intro\/”][\/vc_column][vc_column width=”3\/4″][vc_column_text]TIVOLI CITY HALL<\/strong>\u00a0(P.za del Governo\u00a01 – Tivoli (RM)<\/em><\/p>\n 1 Watercolour depicting “Ponte Lupo – Poli”<\/a><\/em> (66×102 cm, 1898) owned by the Municipality of Tivoli and today placed in the Mayor’s Office.<\/p>\n The painting was donated by Ettore Roesler Franz to reciprocate\u00a0the Tivoli Municipal Council\u00a0for the\u00a0beautiful illuminated\u00a0parchment by Giuseppe Cellini (12\/9\/1855-4\/29\/1940)<\/a> given\u00a0to him after having received unanimously the\u00a0honorary citizenship of Tivoli on 6 February 1903.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1456076589356{padding-top: 20px !important;}”][vc_column][vc_column_text]Some watercolors are parts of private collections, such as:[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1457738257672{padding-top: 15px !important;}”][vc_column css=”.vc_custom_1456072413123{padding-top: 15px !important;}”][vc_column_text]<\/p>\n Banking group\u00a0UniCredit COLLECTION<\/strong><\/p>\n The collection owned by the banking group UniCredit Banca di Roma includes\u00a03\u00a0Watercolours by Ettore Roesler Franz, named:<\/p>\n 1) “Rests of a Roman edicola between olive trees in Tivoli”<\/a><\/em>, 1872 (34×50 cm – inv. 400533);<\/p>\n 2) “Country road Villa Adriana-Tivoli”<\/a><\/em> (34×45 cm), 1885 (34×45 cm – inv. 400534);<\/p>\n 3) “The Garden of the Lake\u00a0– Rome”<\/a>\u00a0<\/em>(30×45 cm – inv. 400532).<\/p>\n They stem from a purchase order placed by the Banco di Roma (Ettore Mariotti) in 1984.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1457738257672{padding-top: 15px !important;}”][vc_column css=”.vc_custom_1456072413123{padding-top: 15px !important;}”][vc_column_text]<\/p>\n Banking group Intesa Sanpaolo\u00a0COLLECTION<\/strong><\/p>\n The collection of\u00a0Intesa Sanpaolo banking group properties include 3\u00a0watercolours by Ettore Roesler Franz,\u00a0titled;<\/p>\n